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Frank Lovejoy: producer, songwriter, recording engineer, bass player, guitarist, keyboardist, drummer, vocalist and audiovisual specialist.

 

Frank began playing and creating music at the age of six inspired by his father a guitarist. Born in Orlando, Florida the family relocating to Detroit, Michigan where at an early age he was highly influenced by the magic of the Motown Sound.

 

At the age of fifteen joined his first band Innerspirit a jazz, r & b, rock and fusion band. He was quickly appointed as music director and the main songwriter. He began his professional career as a bass player for The Fantastic Four traveling and performing across the United States at age nineteen.

 

Frank started sharpening his writing and production skills while working with CJ & Company under the watchful eye of Curtis Durden composer of the smash hit Devil’s Gun.

 

Creator of the Metamorphosis concept in 1990 a platform to introduce new and upcoming recording artists to the world. While working with a lifelong friend formed his first record label Kracken Sounds and Sync Tone Studios in Detroit he began learning the ins and outs of the entertainment industry.

 

Honored to have worked with such greats as:

Jimmy Roach

The Fantastic Four

CJ & Company

Oneway

Terry Dexter

The Dramatics

The Four Tops

Betty Wright

Larry Blackman of Cameo

God Momma from Bootsy’s Rubber Band

KC and the Sunshine Band just to name a few.

Songwriter/singer/producer Harvey Scales is best known as the co-writer of Johnnie Taylor's mega-hit "Disco Lady," and he also co-wrote the R&B hit "Love Is Better in the A.M., Pt. 1." In 1961, the Arkansas native formed the Milwaukee-based R&B band Harvey Scales and the Seven Sounds. Influenced by James Brown, the group concentrated on funk.

 

Recording for Lenny LeCour's Magic Touch Records, the band had a hit with "Get Down" b/w "Love-Itis." (The latter track was later covered by rockers the J. Geils Band.)

 

In 1969, the group signed with Chicago-based Chess Records and released the LeCour-produced "The Yolk," "I'll Run to Your Side," and "Leave It for the Trashman on the label's Cadet imprint. Working with Davis, who was having hits with then-Stax artist Johnnie Taylor, Scales cut sides for the Memphis-based label including "What's Good for You (Don't Have to Be Good to You)" b/w "I Wanna Do It." When Stax became inactive, Taylor signed with Columbia, retaining Davis' services.

Recording at Davis' favorite studio (United Sound Studios in Detroit), the producer used the Impressions' "Gypsy Woman" and an African dancer he had seen on a vacation to Spain as a template for a partially finished song ("Disco Baby") that Scales had brought to him. Davis took it to Collins and Worrell, who honed and tightened up the groove, while veteran arranger David Van DePitte did the horn arrangements.

 

Based on the success of "Disco Lady," Scales was able to secure a recording deal with Casablanca. His 1978 label debut Confidential Affair was a collection of disco-laced soul, later a favorite years among dance music and Northern soul devotees. His next Casablanca album was 1979's Hot Foot: A Funque Dizco Opera, which included the singles "I Get Off on You" and the 12" single "Baby Let's Rock." Scales also co-wrote (with Bunny Sigler) "You're Gonna Get Yours" on Instant Funk's V LP and the pro-basketball tribute "Slam Dunk the Funk" on the band's Looks So Fine album. Somebody Else's Somebody is the title of Scales' 1997 album on Four Sight.

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